I had a fascinating conversation with a colleague several weeks ago that focused on the current trend for orchestras in dire financial straits to adopt artistic activities that rely heavily on expanding into new territories. Typical jargon for this sort of behavior is “getting out of the concert hall” or “getting into the community.”
There’s Buy-In and Then There’s Buy-In
I had a fascinating conversation with a colleague several weeks ago that focused on the current trend for orchestras in dire financial straits to adopt artistic activities that rely heavily on expanding into new territories. Typical jargon for this sort of behavior is “getting out of the concert hall” or “getting into the community.”
What The Orchestra Field Can Learn From Playboy and The Financial Times
If your organization is considering developing an iPhone/iPad app to be distributed through Apple’s App Store, you might not need it. As apps have grown in popularity over the past few years, more and more business are discovering that the content restrictions and revenue cuts enforced by Apple aren’t worth the hassle; and their experiences might save orchestras a boatload of cash and headaches.