Drew McManus on the Orchestra business | est. 2003

The Minions Have Spoke!

Thu, Aug 8, 2010
There’s nothing quite as cumbersome as an email list filled with non-responders and as it turns out, the email list here at Adaptistration has grown so large that my email list minions told me we needed to weed out some names. Fortunately, the email service I use, Vertical Response, has a handy feature that lets

A Comprehensive Look At Detroit

Wed, Aug 8, 2010
The 8/24/2010 edition of the Detroit Free Press published an article by Mark Stryker that digs into the details surrounding the ongoing, and increasingly entrenched, negotiations between the Detroit Symphony Orchestra (DSO) and their musicians. Stryker’s article focuses on the fundamental issue of musician compensation: its history, current standing, and potential future…

Debating The Cinema Craze On Soundcheck Smackdown

Tue, Aug 8, 2010
I’ll be appearing today on WNYC’s Soundcheck with John Schaefer at 2:00 p.m. ET for a debate about simulcasts and what they hold for performing arts groups. Most folks are likely well aware of The Metropolitan Opera, which pioneered the efforts but this season sees the influx of big budget orchestras into the mix including

Detroit Enters The Eleventh Hour

Mon, Aug 8, 2010
Today marks the final week of the current collective bargaining agreement between the Detroit Symphony Orchestra (DSO) and its musicians. Over the past few days, a few articles of note have popped up that are worth your time. The first is from an unusual source in that it is a blog post from someone outside

A Conversation With An Orchestra Website

Fri, Aug 8, 2010
Properdiscord.com recently posted a video entitled A conversation with an orchestra website preceded by the following description: “I was looking at orchestra websites today. They annoyed me. I started to wonder what they would say if they could talk.” True that. And the resulting video is laugh out loud hilarious. With the annual orchestra website

Culture Dinosaurs

Thu, Aug 8, 2010
I have to admit that the whole Golden Age vs. the Prophets of Doom nonsense put me in a bit of a cynical funk over the past week but it worked out for the best as that sarcastic energy was channeled into something creative. I’ve been updating the graphic designs at most of the Inside

Detroit; In Their Own Words

Wed, Aug 8, 2010
Chris Felcyn of Detroit’s WRCJ 90.9 FM recently sat down with representatives from Detroit Symphony Orchestra’s (DSO) management and musicians and allowed them to present statements about the current negotiations. Felcyn then presented those comments from DSO Cellist Haden McKay and DSO President and Executive Director Anne Parsons on his program, The Well-Tempered Wireless.  In an

The Negotiation Process: How It Works

Tue, Aug 8, 2010
Adaptistration People 018
The first step in understanding how your local orchestra functions as an organization is to understand the basic principles behind the document that deals with nearly every facet of its operations: the Collective Bargaining Agreement (CBA). Every major orchestra in America, regardless of union status, has some form of a contract that exists as a result of collective bargaining. This contract governs all issues related to musician compensation, benefits, work conditions, and the dismissal process.

What To Expect In Detroit

Mon, Aug 8, 2010
The 8/12/2010 edition of the Detroit Free Press published an article by Mark Stryker which reports the Detroit Symphony Orchestra  musicians have scheduled two self-produced concerts in September. Stryker correctly observes that this is an ominous sign regarding the potential for both sides to reach an agreement before the current contract expires on 8/29/2010 and

An Ugly War Of Words

Fri, Aug 8, 2010
No, this isn’t about any of the current labor disputes. Instead, this is about an online feud between Greg Sandow and Heather Mac Donald. If you aren’t aware of what’s going on here’s the 10 second synopsis: Mac Donald wrote an article titled Classical Music’s New Golden Age (meaning now) but Sandow didn’t like what
Previous Next