Drew McManus on the Orchestra business | est. 2003

How To Calculate The Value Of A Volunteer

Thu, Feb 2, 2015
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Joe Patti published an entirely useful post at ArtsHacker on 2/11/2015 that provides wonderfully useful resources for calculating the value of volunteer time and using those figures, he walks you through some straightforward calculations that illustrate just how much volunteers, from board members through ushers, add to an organization’s bottom line. If you have 25

So What’s The Real Story With Gilbert’s Exodus?

Wed, Feb 2, 2015
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Ever since the surprise announcement, the field has been abuzz with punditry and speculation about why New York Philharmonic (NYP) music director Alan Gilbert is leaving his position after such a comparatively short age to tenure ratio and amidst a turbulent period in the organization’s evolution via the hall formerly known As Avery Fisher renovation.

Best Classical Music Blog?

Tue, Feb 2, 2015
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Forte, a sheet music notation software company, has decided to hold a “Best Classical Music Website” contest through March 1, 2015 and the winning outlet will apparently be awarded with 3 licenses of their Forte6 (one each of Home, Basic, and Pro versions) software to be given to readers who participated in the contest poll.

This Handy Living Wage Calculator Drills Down To City Level Data

Mon, Feb 2, 2015
ArtsHacker.com
If you work in the field of arts administration, you’ve probably figured out that it isn’t exactly the ideal career if your primary goal in life is to secure a position at the top of the economic food chain. Having said that, and regardless of your position in the field, it’s still good to keep

Quality Is Still King And Yes, People Know The Difference

Fri, Feb 2, 2015
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There’s an intriguing article in the 1/28/2015 edition of the Chicago Tribune by Chris Jones (h/t You’ve Cott Mail) that examines the resurgence of suburban theater in the greater Chicago area. Among the reasons Jones’ lists for their recovery is a new dedication to quality, such as reversing trends toward using synthesized or recorded music

Ever Wonder What It’s Like To Work In The Orchestra Field?

Thu, Feb 2, 2015
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I had the genuine pleasure to be a guest on Doing What Works with Maureen Anderson, a weekly radio talk show that originates from WZFG AM 1100 and runs on Sundays from 10 to midnight Central on the Radio America network. Maureen covers a variety of topics on her program and the focus of our

A Sad Day: Andrew Patner Has Died

Wed, Feb 2, 2015
Andrew Patner
Chicago, indeed the entire field of classical music, lost one of its most devoted servants when music critic and broadcaster Andrew Patner unexpectedly passed away on the morning of February 3, 2015 at the age of 55. Always affable, easy to talk with, and refreshingly candid, he was the human Wikipedia for all things related

Adaptistration Jobs Is Expanding

Tue, Feb 2, 2015
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If you’ve been to Adaptistration Jobs in the past several weeks, you’ve likely noticed the addition of listings outside of the traditional orchestra and opera fields. We started experimenting with expanded listings to see how it impacted traffic and social engagement and after tracking the metrics, everything points to a go for this being a

Let’s Learn More About Ticketing Software And Loyalty/Reward Functionality

Mon, Feb 2, 2015
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The article from 1/30/2015 about ticket revenue and artificial restrictions resulting from technical limitations from ticketing providers generated a great deal of traffic and based on public comments plus private messages, it seems there is ample interest in exploring this topic to a greater extent. To that end, gathering some data is always a good

To Subscribe, Or Not To Subscribe, That Is NOT The Question

Fri, Jan 1, 2015
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There’s an interesting post from Jill Robinson at the TRGArts blog (Robinson is President & CEO of that consulting firm) where she examines the value of traditional subscriptions within the current arts marketing environment. The post presents some case study data to support the continued viability of that revenue stream but it never ceases to
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