Drew McManus on the Orchestra business | est. 2003

The French Are Not As Forgiving

Wed, Mar 3, 2010
Dan Wakin’s article in the 3/3/2010 edition of the New York Times does an excellent job at reporting on the Moscow State Radio Symphony Orchestra’s working conditions. According to his report, the musicians earn $40 per concert with no per diems and a number of the musicians go on record talking about unsatisfactory working and

Ouch. My Pride.

Tue, Mar 3, 2010
Over at Proper Discord, one of my posts from 2004 made it to the #5 position in the list of “30 things that won’t save classical music.” Proper Discord’s author asserts “Classical music doesn’t need saving and the only thing that will increase its reach is for the people involved to do their jobs better.”

Dead Cat Bounce

Mon, Mar 3, 2010
Adaptistration People 013
For those unfamiliar with the expression “Dead Cat Bounce,” it comes from the world of finance as a way to describe “a temporary recovery from a prolonged decline or bear market, after which the market continues to fall (source)” – even a dead cat will bounce if dropped from high enough. This phrase came to

Who’s Minding The Score?

Fri, Mar 3, 2010
It’s official, there is now a comic strip dedicated to the insanity we call the orchestra business. Who’s Minding The Score? will be published (more or less) every Sunday and you can keep track of the satirical goodness at: https://adaptistration.com/toons. The newest toon goes live this Sunday, 3/7/2010 and we’ll be adding supplementary content to

The Pros And Cons Of Cultural Edu-Care

Thu, Mar 3, 2010
Inspired by furniture retailing giant IKEA, Holly Mulcahy posted an article over at Neo Classical about the potential merits of orchestras incorporating child edu-care centers along the same lines as IKEA’s Smaland centers. For those unfamiliar, Smaland is a supervised play area where parents can leave children while they wallow in me-centric shopping time. She

Join The RSS Love

Wed, Mar 3, 2010
For reasons yet to be determined, Adaptistration has enjoyed a nice spike in RSS feed subscriptions over the past few weeks. This heady leap made me realize that I rarely promote all of the useful RSS options readers have available to follow posts, comments, and comment threads; as such, there’s no better time than the

When Is The Philadelphia Orchestra Not The Philadelphia Orchestra?

Tue, Mar 3, 2010
Most folks have likely noticed the news about the Philadelphia Orchestra musicians accepting pay and hiring freezes for most positions along with some hefty pension concessions. The Philadelphia Inquirer’s Peter Dobrin reports on those concessions in an article from 2/27/2010. In and of itself, there’s nothing remarkable here; the Philadelphia players are mirroring what their

Venture Project Update: Fun With Wireframes

Mon, Mar 3, 2010
The Venture Project has been officially underway for a little while now and one of the first items to be addressed is designing the Creative Control Engine (CCE), Venture’s extraordinary website publishing system and content management component. In short, CCE is how users will be able to manage and control a large, dynamic collection of

It’s As Though You Were In The Room

Fri, Feb 2, 2010
QuickTime videos from January’s American Orchestra Summit, including my session, Thinking Outside the Box: Organizational Structures and Strategies, are now available at the Summit website. Based on the segments I’ve watched, it looks like the sessions are presented unedited and although the sound can be a little soft, video quality is good and offered in

So No Hard Feelings Then?

Thu, Feb 2, 2010
When will folks learn that just because you give an interview in a non-English media outlet that doesn’t mean word won’t get back to the U.S.? The latest transgression instance comes from conductor Christoph Eschenbach who told Die Welt (English translation via Google) that he thinks the Philadelphia Orchestra management during his time there as
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