Drew McManus on the Orchestra business | est. 2003

Resolving The Pay Disparity In Minnesota

Thu, Jan 1, 2014
Adaptistration People 125
Although specific details have yet to be released, media reports have confirmed the new master agreement ratified by the Minnesota Orchestra Association (MOA) and its musicians contains a provision to pay substitute musicians 90 percent of the contracted musicians’ base scale rate, thereby requiring subs to shoulder a disproportionately larger share of salary concessions than

Don’t Expect Details Anytime Soon

Wed, Jan 1, 2014
Adaptistration People 136
According to Gwen Pappas, Minnesota Orchestra Association’s (MOA) Director of Public Relations, it may take “several weeks” for the organization’s new collective bargaining agreement (CBA) to be released. Pappas was the first to respond to requests for a copy of the CBA and at the time this post was written, a musician representative has yet

Parity Poll

Tue, Jan 1, 2014
Adaptistration People 009
The past few posts on the topic of substitute parity has generated a good bit of feedback; so much so, that I’m curious to know what readers think about substitute musician compensation. So let’s measure the temperature on this with a survey. For each question, select the response that best describes your position.

Questions Surround Minnesota Pay Disparity

Mon, Jan 1, 2014
Adaptistration Guy 115
Ever since the Minnesota Orchestra Association (MOA) and its musicians announced they reached an agreement, one contractual item is beginning to cause a stir; specifically, the decision by the contracted musicians to accept a provision that reduces substitute musician pay at a greater rate than their own salary concessions. This becomes even more intriguing when

One More Reason To Get A Copy Of The MN Orchestra CBA

Fri, Jan 1, 2014
Adaptistration People 133
As bits and pieces of the Minnesota Orchestra’s new collective bargaining agreement (CBA) begin to see the light of day, there’s one detail flying under the radar worth mentioning here in that the musicians apparently elected to trade away substitute pay in order to bolster their new base compensation. The 1/15/2014 edition of MinnPost.com published

Net Neutrality Suffers A Critical Blow

Thu, Jan 1, 2014
Adaptistration People 126
Back in 2010, I was warning the field against steady efforts from Internet Service Providers (ISP) to erode net neutrality, the series of FCC regulations that limit providers (think Time Warner, Cox, Comcast, Verizon, AT&T, etc.) from restricting, or even blocking, content for pretty much any reason they see fit. But a 3-0 decision by

Minnesota Reaches A Deal

Wed, Jan 1, 2014
ADAPTISTRATION-GUY-081
It has finally come to pass: the Minnesota Orchestra Association (MOA) and its musicians finally reached a deal to bring the nearly 16 month work stoppage to a close. Both stakeholders released press statements to announce the agreement; the musicians’ notice focused on retaining what was characterized as a base salary that kept the orchestra

Adaptistration Jobs Gets An Upgrade

Tue, Jan 1, 2014
Adaptistration Jobs
Since its launch in 2011, Adaptistration Jobs has been a popular go-to repository for orchestra admin job postings and over the weekend, we put the largest single upgrade in place (to date). I’m enormously proud to say that it continues to remain a completely free service for both job seekers and job posters without subjugating

A Sad Day

Mon, Jan 1, 2014
ADAPTISTRATION-GUY-131
I was saddened to learn the news that Doug Whitaker unexpectedly passed away on 1/9/2014. For those who didn’t know him, Doug was the Director of Artistic Operations at Memphis Symphony and an absolute archetype of the sort of professional arts manager that keeps this field running, often in spite of boom or bust cycles.

Food For Thought

Fri, Jan 1, 2014
ADAPTISTRATION-GUY-081
Just a quick post today on the the topic of music journalism; specifically, some good articles about a recent discussion going on about whether or not the Chicago Symphony Orchestra’s CSO Sounds & Stories website qualifies as what the CSO describes as a “dedicated music journalism site.” Chris Jones kicked off the heated discussion in an article
Previous Next